& 大仲马《基督山伯爵》英文版PDF电子书
大仲马《基督山伯爵》英文版PDF电子书
书名：基督山伯爵 / The Count of Monte Cristo
作者：大仲马
大小：4.82 MB
1815年初春拿破仑复辟前夕，马赛的青年水手爱德蒙·唐泰斯遭人诬陷，被安上“拿破仑党”的罪名关进伊夫堡监狱的地下黑牢。关在隔壁的意大利神甫法利亚挖掘一条逃跑地道因计算误差而延伸到了他的牢里，从此两人开始了长达数年的秘密来往。法利亚对唐泰斯的高尚、纯朴、无私、忠诚十分钦佩和感激，并将 在基督山岛的宝藏的一半赠给了这位青年朋友，之后暴病而亡。唐泰斯利用这个机会，逃出伊夫堡监狱，化身为基督山伯爵，凭在狱中14年的身心修炼和一笔巨大 财富，不动声色地实施了他“替天行道，扬善惩恶”的复仇计划。
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基督山伯爵英语梗概
100~200个单词即可，谢谢大家，谢谢
The Count of Monte Cristo begins with the arrival of a ship in Marseilles, France. One of the crew is a young sailor named Edmond Dantès. Dantès seems to be on the threshold of great happiness. Morrel, the shipowner, promotes him to captain, and he is about to marry a beautiful girl named Mercédès. However, at the feast before the wedding Dantès is arrested for treason. He is innocent, but has been entrapped by a plot hatched by Danglars, a fellow sailor who is jealous of Dantès&s promotion, and Fernand, who was his rival for the love of Mercédès. The plot is aided by Villefort, a corrupt prosecutor, and Dantès is imprisoned in the Ch&teau d&If. He is not told why he is imprisoned. He remains in the Ch&teau d&If for fourteen years. During this time he meets the Abbé Faria, a fellow prisoner who has been digging what he hoped would be a tunnel to freedom, but which leads instead to Dantès&s cell. The Abbé is a learned man, and he teaches Dantès everything he knows. He also tells Dantès the location of a secret treasure, which is buried on an uninhabited island called Monte Cristo, in the Mediterranean. When the Abbé dies, Dantès switches places with the corpse and is carried out of the prison for burial. He plans to escape from the grave. But instead of burying him, the jailers toss him into the sea. Even so, he manages to swim to safety. He makes his way to Monte Cristo and discovers the treasure.
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　　　　The Count of Monte Cristo by Alexandre Dumas p&re. Highly recommended.　　　　Apart from 'The Three Musketeers', this is probably Alexandre Dumas' most famous work and one of the greatest novels in Western literature: a novel every literate and educated person should read at least once in their lives.　　　　In this story, Edmond Dantes is an innocent man who was caught in the intrigues of Napoleon's escape from Elba and his 100 days of power until Waterloo. A sailor entrusted with a sealed letter of highest importance by his dying captain, Dantes delivers it into the hands of the evil prosecutor Villefort who, for reasons unkown to him, immediately sends him without trial or appeal to spend the rest of his days at the Chateau D'Iffe: a dark and isolated island prison presumed to be inescapable. With the help of Abbot Faria, a dying prisoner who knows the secret of a great hidden treasure on the small islet of Monte Cristo, Dantes escapes and prepares to unleash his revenge on those who did him wrong. For years he spends his time meticulously preparing his vengeful scheme against the treacherous friends and characters who left him to rot in prison for years and years. He refines his arts of disguise, alchemy, and manipulation to content himself with the ruin of his enemies.　　　　Unlike the adventure themes in his works such as 'The Three Musketeers', this story is a deep character study on being the victim of utmost injustice and how cruel revenge is sweet after all: how a wronged man is entitled to become the agent of divine retribution when God and mortal laws have abandoned his cause. The various themes, complex plot, profound character development, and rich prose makes this long work undoubtedly one of the greatest works of literature ever written: Dumas was without question a literary genius.　　　　This is a great story for people of all ages and should not be ignored by anyone who has a profound love of literature. I think this is Dumas greatest work far surpassing 'Queen Margo' 'The Three Musketeers' or 'The Corsican Brothers.'　　　　As translator Robin Buss points out in his introduction, many of those who haven't read The Count of Monte Cristo assume it is a children's adventure story, complete with daring prison escape culminating in a simple tale of revenge. There is very little for children in this very adult tale, however. Instead, the rich plot combines intrigue, betrayal, theft, drugs, adultery, presumed infanticide, torture, suicide, poisoning, murder, lesbianism, and unconventional revenge.　　　　Although the plot is roughly linear beginning with Edmond Dant&s' return to Marseille, prenuptial celebration, and false imprisonment and ending with his somewhat qualified triumphant departure from Marseille and France, Dumas uses the technique of interspersing lengthy anecdotes throughout. The story of Cardinal Spada's treasure, the origins of the Roman bandit Luigi Vampa, Bertuccio's tale of his vendetta, and the account of the betrayal and death of Ali Pasha are few of the more significant stories-within-the-novel. While Dumas devotes an entire chapter to bandit Luigi Vampa's background, he cleverly makes only a few references to what will remain the plot's chief mystery-how the youthful, intelligent, and naive sailor Edmond Dant&s transforms himself into the worldly, jaded, mysterious Renaissance man and Eastern philosopher, the count of Monte Cristo, presumably sustained by his own advice of "wait" and "hope."　　　　This novel is not a simple tale of simple revenge. The count does
he brilliantly uses their vices and weaknesses against them. Caderousse's basic greed is turned against him, while Danglars loses the only thing that has any meaning for him. Fernand is deprived of the one thing that he had that he had never earned-his honour. In the process, he loses the source of his initial transgression, making his fate that much more poignant. The plot against Villefort is so complicated that even Monte Cristo loses control of it, resulting in doubt foreign to his nature and remorse that he will not outlive.　　　　This long but generally fast-paced is set primarily in Marseille, Rome, and Paris. It begins with Dant&s' arrival in Marseille aboard the commercial vessel Pharaon and ends with his departure from Marseille aboard his private yacht, accompanied by the young, beautiful Greek princess Hayd&e. What gives The Count of Monte Cristo its life, however, are the times in which it is set-the Revolution, the Napoleonic era, the First and Second Restoration, and the Revolution of 1830. Life-and-death politics motivates many of the characters and keeps the plot moving. Dumas also uses real people in minor roles, such as Countess G- (Byron's mistress) and the Roman hotelier Signor Pastrini, which adds to the novel's sense of historical veracity.　　　　The most troubling aspect of The Count of Monte Cristo is Edmond Dant&s himself. His claim to represent a higher justice seems to justify actions and inactions that are as morally reprehensible as those that sent him to prison, for example, his account of how he acquired Ali and his loyalty. Had he not discovered young Morrel's love for Valentine Villefort, she too might have become an innocent victim. As it is, there are at least two other innocents who die, although one clearly would not have been an innocent for long based on his behaviour in the novel. One wonders of Dant&s' two father figures, his own flower-loving father and fellow prisoner Abb& Faria, would have approved of the count.　　　　The translation appears to be good, with a few slips into contemporary English idioms that sound out of place. In his introduction, Buss states that the later Danglars and Fernand have become unrecognizable and that Fernand in particular has been transformed "from the brave and honest Spaniard with a sharp sense of honour . . . to the Parisian aristocrat whose life seems to have been dedicated to a series of betrayals." There is never anything honest or honourable about F his very betrayal of Edmond is merely the first we know of in his lifelong pattern.　　　　What seems extreme and somewhat unrealistic about Fernand is his& transformation from an uneducated Catalan fisherman into a "Parisian aristocrat," hobnobbing with statesmen, the wealthy, and the noteworthy of society. This, however, is the result of the milieu that the novel inhabits. During these post-Revolution, post-Napoleonic years, Fernand could rise socially through his military and political accomplishments just as Danglars does through his financial acumen. Danglars is careful to note that the difference between them is that Fernand insists upon his title, while Danglars is openly indifferent to a his viewpoint is the more aristocratic.　　　　Countess G- is quick to point out that there is no old family name of Monte Cristo and that the count, like many other contemporaries, has purchased his title. It serves mainly to obscure his identity, nationality, and background and to add to the aura of mystery his persona and Eastern knowledge create. What is most telling is that his entr&e into Parisian society is based primarily on his great wealth, not his name. Dumas reinforces this point with Andrea Cavalcanti, another mystery man of unknown name and reputed fortune.　　　　When I started to read it. I couldn't put it down, with its nearly seamless plot, dark protagonist, human villains, turbulent historical setting, and larger-than-life sense of mystery. At 1,078 pages, it's imposing, but don't cheat yourself by settling for an abridged version. You'll want to pick up every nuance.
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基督山伯爵(The Count of Monte Cristo)简介：The Count of Monte Cristo (French: Le Comte de Monte-Cristo) is an adventure novel by Alexandre Dumas, père. It is often considered to be, along with The Three Musketeers, Dumas' most popular work. The writing of the work was completed in 1844. Like many of his novels, it is expanded from the plot outlines suggested by his collaborating ghostwriter Auguste Maquet.[1]
The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of
(from just before the Hundred Days through to the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, forgiveness and death, and is told in the style of an adventure story.　　《基督山伯爵》（又称《基督山恩仇记》）是法国作家大仲马的杰出作品。主要讲述的十九世纪一位名叫爱德蒙·邓蒂斯的大副受到陷害后的悲惨遭遇以及日后以基督山伯爵身份成功复仇的故事。故事情节曲折生动，处处出人意外。急剧发展的故事情节，清晰明朗的完整结构，生动有力的语言，灵活机智的对话使其成为大仲马小说中的经典之作。
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