一个不争的事实就是，几十年以来，美国好莱坞电影产业一直都.. 翻译
原文（简体中文）：
一个不争的事实就是，几十年以来，美国好莱坞电影产业一直都是国际市场上的主导力量。从20世纪90年代中期开始，美国好莱坞在所谓全球化的旗号下对世界电影市场大举进攻，成为全球电影市场的霸主。1998年，美国好莱坞电影出口的收入为68.7亿美元，而2000年竟然达到120多亿美元。而近年来，我国电影产业化改革的步伐进一步加快。应该说，就广播影视行业而言，无论是政策措施层面还是实践操作层面，电影界的改革力度至少在目前要相对领先于广播和电视。
对于一个国家，尤其是对于正处在艰难发展时期的中国电影来说，单一的张艺谋或者冯小刚，单一的《英雄》或者《天下无贼》，无论它们取得如何辉煌的票房，都无法完成中国电影文化的整体建构，无法在整体上具备与好莱坞电影抗衡的能力 更多： ，尽管它们对中国电影文化产业的发展实际上有着举足轻重的意义。在全球化语境中，在实施横向区域电影文化合作的同时，只有在纵向上完成多元形态的电影文化建构，才能够促进中国电影良性、有序的发展。
多元形态的电影文化建构，首先体现在多层次的电影创作上。所谓多层次，就是既需要作为电影文化产业主体的、以商业票房为创作主旨的类型电影，也需要以探索电影语言、追求个人表达为主导的艺术电影，还需要在艺术个性和商业需求之间寻求平衡的电影。在中国内地，当然还有在创作数量上占据相当份额的主旋律电影。事实上，近年来的主旋律电影已经越来越显示出超越单一教化层面的类型化趋势。任何单一形态的电影类型，都无法建构起完备、有序的电影文化产业，久盛不衰的美国好莱坞电影、全盛时期的香港电影都证明了这一点。只有形成电影类型的多元化、多层次建构，才能形成一个电影文化的有序结构。
我们应该致力于探索中国作为一个特殊的发展中国家的电影政治、经济、文化规律，建立一种具有符合全球发展和国情现实的电影产业和电影市场。只有这样，中国电影才能够创造与好莱坞电影不同的更现实、更人性、更关怀、更丰富的电影文化，成为世界性多元电影思潮的组成部分，为全球化提供多元的而不是一元的格局。
翻译结果（英语）1：One indisputable fact is that for decades, the United States Hollywood film industry has been on the international market, the leading force. Starting from the mid-1990s, the United States Hollywood, under the banner of the so-called globalization of the world film market, a massive attack to become the overlord of the global film market. In 1998, the United States Hollywood film export revenues of $ 6.87 billion, while the 2000 has reached over 120 billion U.S. dollars. In recent years, the pace of reform of China's film industry is further accelerated. It should be said, radio, film and television industry, the level of policy measures and practice at the operational level,The reform of the film industry, at least for now to be relatively ahead of radio and television.
For a country, especially now in the difficult period of development of Chinese film, one of Zhang Yimou or Feng Xiaogang single "Hero" or "A World Without Thieves", whether or not they get how brilliant box office, they can not fulfill the construct of the film culture as a whole, can not have the ability to compete with Hollywood movies on the whole, although the development of Chinese film culture industry in fact has an important significance. In the context of globalization in the implementation of the cooperation of the film culture of the lateral regionOnly film of the diverse forms of cultural construction, in the longitudinal direction to be able to promote the Chinese film benign and orderly development.
Film culture of the diverse forms of construction 更多： , first manifested in the creation of multi-layered film. So-called multi-level, both the film culture industry the main types of movies, business at the box office for the creation of the subject also needs to explore the cinematic language, the pursuit of personal expression as the leading art film, but also between the artistic personality and business needs to seek balanced film. In mainland China, of course, in the creation number to occupy a considerable share of the main theme of the film. In fact,The main theme of the film in recent years has been increasingly demonstrated beyond a single enlightenment level, the type of trend. Any single form of film type, can not be constructed from the complete ordered films of cultural industries, Hollywood movie long time to flourish, the heyday of Hong Kong films have proved this. Only the formation of diversification of the film type, multi-layered construction, in order to form the ordered structure of a film culture.
We should be committed to exploring China as a special film of the developing countries political, economic, cultural law, to establish a line with global development and national conditions and reality of the film industry and film market. Only in this way,Chinese film to be able to create Hollywood movies more realistic, more human, more caring, more rich film culture has become an integral part of the worldwide multi-film trend of globalization provide multiple rather than unitary pattern.
翻译结果（英语）2：An indisputable fact is that for decades since the United States Hollywood film industry has always been a dominant force on the international market. In the mid 1990 of the 20th century, the United States Hollywood under the banner of the so-called globalization on massive attack of the film market in the world, become the overlord of the film market in the world. In 1998, the United States Hollywood export revenues of US $ 6.87 billion, which in 2000 had met more than 12 billion dollars. In recent years, further accelerate the pace of the reform of China's film industry. It should be said that, on radio, film and television industry, the practice of both policy measures and in the operational level,Reform of the film industry, at least in the current relative leading to radio and television.
For a national, especially for are in hard development period of China film,, single of Zhang Yimou or Feng Xiaogang, single of hero under or world no thief under, regardless of they made how brilliant of box office, are cannot completed China film culture of overall construction, cannot in overall Shang has and Hollywood film against of ability, despite they on China film culture industry of development actually has important of significance. In the context of globalization, cooperation in the implementation of horizontal area film culture at the same time,Complete multiple forms only in portrait film of cultural construction in order to promote the healthy and orderly development of Chinese film.
Film culture construction of plural forms, first manifested in multiple layers of film creation. So-called multi-level, is needed as the film industry of the main thrust 更多： , a commercial box office for creation of genre films, also need to explore the art of film language, the pursuit of personal expression-oriented films, also need to be in films of artistic personality and find a balance between business needs. In the Mainland of China and, of course, occupy a considerable share of the main theme on the number of movies in creation. In factMore and more in recent years, the main theme of the film is shown beyond a single type of trend of education level. Any single form of film type, film industry of construction cannot be complete, orderly, long Sheng does not weaken the United States Hollywood movie, the heyday of Hong Kong films have proved this point. Only a diversification of film types, multi-layer construction, to form an ordered structure of film culture.
Us exploring China as a special kind of developing countries should be committed to the movie law of political, economic, cultural, and establishing a global development and national conditions and realities of the film industry and film markets. Only in this way,Chinese film can create different from the Hollywood film more realistic, more human, more caring, more rich film culture, become part of the worldwide trend of thought in multiple movies, for the purpose of providing a variety of globalization is not a pattern.
翻译结果（英语）3：An indisputable fact is that for decades, the Hollywood film industry has been the dominant force in the international market. From the 1990 s began, the American Hollywood in the banner "globalization" to the world's film market drives, become the film market of the king. In 1998,The Hollywood film export income for 6.87 billion us dollars, and in 2000 had reached $120. And in recent years, our country industrialization of movie the progress of the reform further speed up. Should say, radio, film and television industry is concerned, whether the policy measures level or the practice operation level,The film industry reform at least at this is ahead in radio and television.
for a country, especially for is in the development of Chinese film difficult period for a single director zhang yimou or feng xiaogang, single "hero" or the "TianXiaWuZei", no matter how they get magnificent box office,Can complete the whole China film culture construction, cannot be in overall with Hollywood movies have holds the ability, although they to the Chinese film the development of cultural industry in fact is of vital significance. In the context of globalization, in the implementation of lateral area film culture of cooperation at the same time,Only in vertical multiple forms of complete film culture construction, to promote Chinese film benign, orderly development.
multiple forms of film culture construction 更多： , firstly embodies in multiple layers of filmmaking. The so-called mutiple level, is the need to have both as a movie of the subject of culture industry,Commercial purpose for the creation of the type box office movie, also need to explore the film language, the pursuit of personal expression as the leading art film, still need to be in artistic personality and business needs to seek a balance between the movie. In mainland China, and of course the number in the creation of the theme of the movie is occupied share. In fact,In recent years the theme of the film had already more and more shows beyond a single education level the typification of the trend. Any single form type of film, cannot construct complete and orderly movie culture industry, the Hollywood film, the persists heyday Hong Kong film are proof of that.Only the formation of film type of diversification, multi-level building, can form a film culture ordered structure.
we should be devoted to exploring China as a special developing countries movie political, economic and cultural rules,Establish a has the global development and realistic situation with the film industry and film market. Only in this way, the Chinese film can create and Hollywood movies different more realistic, more human nature, more care, more rich film culture, become a worldwide trend of multiple film part,For globalization provide multiplex and not a yuan pattern.
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用英语说中国艺术03：20世纪90年代的中国电影（中英双语）
joy1988 于发布 l 已有人浏览
用英语说中国艺术：20世纪90年代的中国电影，用英语介绍了关于20世纪90年代的中国电影的双语百科知识。
3. 20世纪90年代的中国电影
In the 1990s，china experiencedprosperity in its film. At the 1995 same time the government allowed the showing of foreign movies from 1995. Furthermore, more of China's films won awards at international film festivals，such as Ju Dou (1990) and To Live (1994) by Zhang Yimou, Farewell My Concubine (1993) by Chen kaige， Blush (1994) by Li Shao-hong , and Red Firecracker Green Firecracker (1993) by He Ping. However, these films encountered more and more criticism , in particular for their stylized form and neglect of audience response and absence of representation of the spiritual bewilderment of the people during the transformation of Chinese society.
在20世纪90年代，中国电影业经历了繁荣发展。与此同时，政府允许1995年以后开始引进外国电影。更多中国影片在国际影展中获奖，如张艺谋导演的《菊豆》(1990)和《生活》(1994)及由陈凯歌导演的《霸王别姬》 (1993年)，由李少红导演的《红粉》(1994)、何平的《去年烟花特别多》(1993)。然而，这些影片遇到越来越多的批评，特别是针对他们程式化的风格，对观众反应不够重视和缺乏对处在中国社会转型期的人们精神困惑的代表性反映。
Meanwhile, a group of spirited young filmmakers began throwing away the fashionable cinematic veneer and facing reality. They were Zhang Yuan and his East Palace West Palace (1996), Wang Xiaoshuai and his Beijing Bicycle (2000), Jia Zhangke and his Unknow Pleasure (2002), Jiang Wen and his Devils on the Doorstep (1999), Lu Xuechang and his The Making of Steel (1996) and many others. Their serious attitude toward the art of film and life was creating youthful vigor in China's film industry for the start of the new millennium.
与此同时，一批朝气蓬勃的年轻电影制片人丢掉华而不实的电影外壳，开始面对现实。他们是张元和他的《东宫西宫》(1996)，王小帅和他的《十七岁的单车》(2000) ，贾棒柯和他的《任逍遥》(2002)，姜文和他的《鬼子来了》(1999) ，路学长和他的《钢铁是这样炼成的》(1996)等等。他们认真对待电影艺术和生活的态度给中国电影在21世纪发展注入了青春活力。
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本文相关应用▼上世纪90年代的人们
People in the 1990s
以上为机器翻译结果，长、整句建议使用
上世纪90年代末，人们嘲笑我经营的是家生活方式企业。
"In the late 90's I got laughed at for being a lifestyle business, " he says.
津巴布韦的流行率近期也出现了下降，原因是上世纪90年代对预防项目的投资帮助人们改变了行为，Lule说。
Zimbabwe’s HIV prevalence has declined recently “because of investments made in the 1990s” in prevention programs that helped change behavior, says Lule.
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